Albert Bierstadt
Albert Bierstadt's Oil Paintings
Albert Bierstadt Museum
Jan 8, 1830 - Feb 18, 1902. German-American painter.

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antonin dvorak
wolfgang amadeus mozart, painted nearly three decades after his death by barbara krafft

ID: 60258

antonin dvorak wolfgang amadeus mozart, painted nearly three decades after his death by barbara krafft
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antonin dvorak wolfgang amadeus mozart, painted nearly three decades after his death by barbara krafft


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antonin dvorak

Named after Prince Antoni Radziwiłł, who built a wooden summer residence here between 1822 and 1824 for his family. The Radziwiłł family played an important role in Polish?CLithuanian history over several centuries and owned lands larger than the state of Belgium.   Related Paintings of antonin dvorak :. | a seduction scene from mozart s opera don giovanni | stage for the magic flute, designed by simon quadligo for a performance in munich on | mozart s first floor apartment in vienna. he composed the marriage of figaro there | mozart at the age of six in court dress, painted p a lorenzoni | a romantic artist s impression of mozart composing |
Related Artists:
jan massys
1509-1575
Pollaiuolo, Piero
Italian, 1443-96
majestas domini
Christ in Majesty, or Christ in Glory, in Latin Majestas Domini, is the Western Christian image of Christ seated on a throne as ruler of the world, always seen frontally in the centre of the composition, and often flanked by other sacred figures, whose membership changes over time and according to the context. The image develops from Early Christian art, which directly borrowed the formulae of depictions of the enthroned Roman Emperor. In the Byzantine world, the image developed slightly differently into the half-length Christ Pantocrator, "Christ, Ruler of All", a usually unaccompanied figure, and the Deesis, where a full-length enthroned Christ is entreated by Mary and St. John the Baptist, and often other figures. In the West, the evolving composition remains very consistent within each period until the Renaissance, and then remains important until the end of the Baroque, in which the image is ordinarily transported to the sky.






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